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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      €15 EUR  or more

     

  • Full Digital Discography

    Get all 4 Margaret Unknown releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of {}, GODS, Ebó, and Rooms. , and , .

      €24.75 EUR or more (25% OFF)

     

  • 180g Vinyl 3LPs with Triple Gatefold | Limited Edition of 300
    Record/Vinyl + Digital Album

    !!!t he physical records can only be acquired via Golden Lab Records or at the concerts directly from the artists!!!
    goldenlabrecords.com


    "First major release of brand new material arguably since her work with Wolfgang Puschnig in the late ’80s by one of free jazz’s most important icons whose transition via a debilitating stroke into deep, guttural wordlessness has seen her enter a new realm of primal vocal raging. This is Linda Sharrock, best known for her show-stealin’ voice work on ex-husband Sonny’s two albumsBlack Woman and Monkey-Pockie Boo, at her wailing, heart-stopping best, flanked by a stellar group of Theresa Eipeldauer (voice), Mario Rechtern (soprano, alto, baritone, saxoline and voice), Margaret Unknown (guitar, electronics and voice) and Didi Kern (drums), recorded in 2015 for over TWO HOURS presented here across THREE heavyweight vinyl LPs. A truly stunning, demented and absolutely essential bombardment of relentless energy by one of the giants of avant-garde music, with amazing whacked liner notes by Saxophonist Mario Rechtern, this is gonna sell out FAST FAST FAST, so pre-order now to avoid disappointment."

    Includes unlimited streaming of GODS via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more

    Sold Out

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about

Linda Sharrock: Voice
Mario Rechtern: Voice, Reeds, Violin
Margaret Unknown: Voice, Guitar, Electronics
Theresa Eipeldauer: Voice
Didi Kern: Voice, Drums

Recorded at Primitive Studiuos March 2015
Mixed at Primitive Studios by Daniel Schatz
Mastered at Botanic Audio & Mastering by Dominic Tanner
Photographs by Apollonia Bitzan
Layout by Nick Mitchel

credits

released February 24, 2016

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all tracks, defined by markers, are hooked together, seemless, no silence in between. spoken words between the tracks have been cut out , provided some ohs , giggles yeahs and ahems, which i left to the magic of the hour and the original flow of the recording session- the music. .
the entire thing is seemless connected and one stream as e u r i d i c e coming up or a r i a d n e following the thread untill o r p h e u s looks back or the thread will be torn....do gods may help that this will not happen, us to loose sight.... just do not look back just go or just pick up the thread from then for new weavings to find the way up from these a b y s s i t i e s or out of these m i n o i c l a b y r i n t h s
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Because with this we move towards my suggestion for the title ìgodsì (concerning euridice and ariadne)... antique gods do not show in a different way than the as numerous ones of today, also within trivial checking , sound checking, within the individual, the collective , within the big, as within the mediocre or even the unrecognized , as within the uncalculated or evident, in a special hold-it manner (hence breath holding, hand on the mouth)-. everyone notices this, may he call it then Ñgodsì or whatever he wants it, and that was it then allready again...but if s.o. tries to hold them (these that appear or speak) tightly , in possession ,or take ëem away, even with oneself they dissappear Ñwithin the abyssity of the groundsì ñ a work in progress: now Ñgodsì. how many still ? no idea...e u r i d i c e o r a r i a d n e m a y k n o w....
t h i s h a p p e n s a g a i n a n d a g a i n m a n y t i m e s w h y ? n o i d e a !
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empathy ? or being tied up within this great isolation before.... as it comes then over and over on us all : intertwining , empatho-harmonical, tribal....
but behold : all parallel lines meet yet in the end- allways at the horizon or downwards in the abyssity of the grounds - in one point, how many gods or parallel lines they may ever be: by their being so many, we can see well, what vain dreams withhold them from us : horizons and depths of grounds, both are still very far, hence as many Ñgodsì: as parallel lines intertwinings empatho-harmonicals tribals....       $ ( - / 7 8 ; < > ? D E P Q V Z d f i j p s v w | Ç á â è ï õ † § • ® ≥ º ø ¬ √ « » À Ã “ ” ÿ Ÿ › fi „ ‰ Ë È Ï Ì ˘ ˙ 
Of course this is however also related to the eternal human migration, and its rejection, now and then , whenever the gods started to speak, stepping out of their stonecarved forms... for pragma , for which also linda sharrock stands (up) within her fate and (il)legal treatment , also with this scream since ever since throughout the mediteranian, and the everlasting grandmothergeneration concerning the perpetuous repetition of the problem and its eternal repulsation, with which any human and natural migration and its rejection now and then, again and again, are confronted, by their hosts ...: the ladder cannot see the situation by their selfemblinding, the first cannot articulate it, due to their trauma being violated off their rights through a related desinformation ....linda sharrock though could do so, but she is aphasic, which hence is not hazardious or accidental, as may be neither for in ex. the ancient oracle, la clairvoiente, in delphi or theresias otherwhere, or kassandra overseas and down in the vessel's haunted darkness, hence by the same reasons...and on what what is interpretated by the warning sights of the deaf or the blind ...or the aphasics
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Margaret Unknown Berlin, Germany

Max Bogner is a musician originating from Vienna currently living and working in Berlin.

Over the past decade he founded and lead several groups being an active player in Europe and Africa.

Idiomatically always moving in different terrains he is constantly shifting the center of attraction, moving against stagnancy to continually evolve and overcome the boundaries, pushing towards the unknown.
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